Get all 21 Duncan Faure releases available on Bandcamp and save 25%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Girls In The Yard, Crowning Of The Queen, Very Truly Yours, Lovelight, Ball and Chain, Not Enough Hours (Alt mix), In a Hundred Years, Where is the Music?, and 13 more.
Duncan Faure Las Vegas, Nevada
World-renowned songwriter Duncan was first on the scene as frontman for South African rock-pop sensation RABBITT together
with friend and guitarist Trevor Rabin, who later joined YES,
Duncan led RABBITT to multiple gold and platinum albums and several Grammies.
The same year RABBITT broke up, Duncan became the new frontman for THE BAY CITY ROLLERS. winning hordes of new fans worldwide.
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20th Century Songs
by Eric Faulkner
supported by 9 fans who also own “Nightfall”
Another fantastic collection. I haven't enjoyed music this much in decades. Thank you for making these recordings available.
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supported by 7 fans who also own “Nightfall”
This is simply a wonderful collection of songs. It is so nice to hear Eric's music without interference from record labels and producers. Eric's songwriting and arrangements are unforgettable. Congratulations on this great collection and enjoy your upcoming birthday festivities.
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The Long Road Home
by Eric Faulkner
supported by 7 fans who also own “Nightfall”
Great drum beat for protest marches along with strong words of pride something I brought back from Thurso Gaelic culture evening of song and stories when travelling through Scotland in 2019. Singing along loudly.
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Serrated alt-rock from this Washington group hits the perfect combo of big riffs and bigger hooks.
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St. Louis DIY stalwarts Shady Bug's latest EP is languid, low-key indie rock that combines warm dream pop tones with alt-rock crunch.
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Psychedelic, soft-focus dance grooves abound on the new one from Austin artist Dorio, full of limber riffs and gentle vocals.
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Speakers' Corner
by Eric Faulkner
supported by 6 fans who also own “Nightfall”
Eric's powerful thought provoking lyrics on the album deserves a wider audience. His voice on To the Rock sends shivers down my spine every time I hear it. And the way he gives the Thatcherite years a kicking on Ghosts is superb. That said, Miami is also very emotive and powerful. The album is just fabulous.
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